Born in North London 1972, I was playing with a Fisher Price turntable by the age of two and spent the majority of my early years taking anything electronic, computerised or robotic apart - progressively things around me turned into a laboratory. During the late 80s I took more than a passing interest in the first wave of hip hop as it developed into a more experimental and electronic format. Mantronix 'Bassline' remains an all time favourite. Inspired by the sound Paul Hardcastle's '19', first heard on the Radio One hip hop show and seeming to defy categorisation, there unfolded an extended period of experimenting with tape dubbing, manual and labour-intensive editing and the misuse of cheap guitar effects pedals. Next came the energy of acid house and break-beat hardcore which was for me a natural progression and firmly planted the seeds of what was to later become a great passion for techno. Throughout this time I was equally fanatical for all kinds of obscure alternative, industrial and electronic music and spent much of my time trawling through record fairs for unusual material. Listening to John Peel's shows on Radio One became a regular source of inspiration and this has come full circle more recently with John Peel regularly playing my material on his shows. The beginnings of my studio, the acquisition of a Roland D-50 and Casio FZ-1 in 1994 and the assembly of a rudimentary home made mixer and filter unit lead to the start of techno production in earnest - and a seriously deep knowledge of how these machines could be used and misused. This period of production culminated in winning of the 1996 Fosters Ice Breaker for Techno on John Berry's Techno Show on Kiss 102 in Manchester, UK. Winning the Fosters Ice Breaker lead to my first release 'The Bond EP' in June 1996. A bright orange record that some people in Manchester at the time may have remembered appearing in their hands outside a few club nights. Throughout this period, early in 1997, several pseudonyms sprang into existence to support a number of different projects - from the harsh industrial sounds of Tomito Satori on Exhibit and Helki Torsnum on Sheer to my increasingly experimental loop based output as Reducer on Instillation. In their own right, these alter egos have received much praise and continue to develop.
The Reducer project has seen the most success and recognition - the material perhaps being the most timeless and far reaching. By way of example in late 2003 Jeff Mills began to express serious interest in Reducer releases from 1998. Over the turn of the millennium and into the 21st century, output continued apace with acclaimed projects for many other labels such as Rodz-Konez, Cutting Pleasure, Potential, Ergonomix, Urban Substance, Morpheus, Native Diffusion, Blackout Audio, Speaker Attack, Electracom and Fylo including remixes for the Space DJz, Makaton, Robert Armani and others. Often, although of course not always, releases that have come about as the result of strong friendships, shared aims and similar ideas.
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